Before Losing It became one of the biggest house records of the decade, it was just an unreleased track in FISHER’s Coachella set.
Debuting the song at the Do LaB stage in 2018, FISHER had no idea he was about to unleash a record that would dominate clubs, festivals, and DJ sets around the world. The reaction was instant. Within months, Losing It had become one of the defining tracks of modern tech house and launched FISHER into global stardom.
Looking back, this wasn’t just a debut—it was the moment everything changed.
Before Project X, A-Trak’s remix of Heads Will Roll was already making waves in clubs. But after its unforgettable use in the 2012 film, the track became the soundtrack to an entire generation of house parties, festivals, and late-night memories.
More than a decade later, that iconic drop still has the same effect. The moment it comes on, everyone knows what’s about to happen. Few remixes have become as closely tied to a movie or an era as this one.
Before Animals became one of the biggest EDM tracks ever made, it was just an unreleased song that nobody in this crowd had heard.
In June 2013, a 17-year-old Martin Garrix debuted it during the opening party at Privilege Ibiza. There were no singalongs, no anticipation, and no one knew they were witnessing the birth of a future festival anthem. Just nine days later, the track was officially released and went on to change Martin Garrix’s life—and the sound of EDM—for years to come.
Looking back, this wasn’t just another DJ set. It was the moment everything changed.
For millions of people, Chester Bennington was more than a singer. Through songs like One More Light, he gave a voice to emotions that many struggled to express themselves. His honesty, vulnerability, and unmistakable voice made listeners feel understood during some of life’s hardest moments.
Chester’s passing in 2017 was a heartbreaking reminder that even those who inspire others can be fighting battles we cannot see. His legacy lives on through the music that continues to comfort, connect, and remind people around the world that they are never truly alone.
Family Guy has never been afraid to break into song. From full Broadway-style numbers to hilarious parody performances, the show has turned some of its funniest moments into unforgettable musical scenes. It’s one of the reasons Family Guy’s comedy still stands out after all these years.
An Amber Glow on the Beach Bench🧡
Glowing orange butterflies drift around a weathered wooden bench on the dark shore, their warm light circling a quiet figure seated alone by the sea. Beneath the deep velvety sky, the beach holds a dream of stillness—alone, luminous, wrapped in the breath of waves and wings
Released in 2001, Something by Lasgo became one of the defining songs of the early 2000s trance movement. Combining Evi Goffin’s soaring vocals with uplifting synths and euphoric melodies, the track perfectly captured the moment when trance and Eurodance reached mainstream audiences across Europe.
More than 20 years later, Something remains a timeless dance anthem. Whether you discovered it through clubs, Clubland compilations, or late-night music channels, it’s still one of those songs that instantly transports you back to the golden age of trance.
OT Genasis broke into the mainstream in 2014 with CoCo, a high-energy anthem that quickly became one of the most recognizable rap songs of the decade. Its explosive delivery and unforgettable hook helped launch him into the spotlight, leading to more hits like Cut It and Push It.
Known for creating loud, infectious records that thrive in clubs, arenas, and on social media, OT Genasis carved out a unique lane in hip-hop. More than a decade later, CoCo remains one of the defining party anthems of the 2010s.
During Tomorrowland Belgium 2019, the Symphony of Unity delivered one of the festival’s most unforgettable performances by reimagining iconic electronic tracks through a live orchestra. Led by Dirk Brossé, the 60-piece ensemble transformed FISHER’s Losing It into a cinematic experience, with the famous horn riff brought to life by a powerful brass section.
The performance showed that electronic music doesn’t lose its energy when played by an orchestra—it gains a whole new dimension. Years later, it remains one of Tomorrowland’s most celebrated musical moments.
creatives need to be doing more. the ceiling moved and a lot of us are still working like it didn’t.
i’ve always been kind of intimidated by film and commercials, that whole world felt like it needed a crew and a budget and years i don’t have. and then i sat down with this new openart tool called director and just…made something.
you don’t write a script or a shot list, you just talk to it and direct it. they call it vibe directing and honestly that’s exactly what it feels like.
and it’s not even about making final production stuff (although we’re pretty much there). it’s that you can use it to iterate, to pitch an idea before you’ve built it, to figure out which clients are even worth saying yes to. that alone changes the whole job.
so stop drawing the line where you think your skillset ends. go play with it.
comment “DIRECT” and i’ll send you the link
#OpenArtPartner
