THE LAST SEAT
He carried her every day.
Today, she wanted to carry him.
Created with OpenArt Director @openart_ai
Direct Your Next Video,
Create videos by chatting with AI..
Some of the best kitchen hacks are the simplest ones. Whether it's using a spoon to guide liquids into a cup without spilling or placing a toothpick under a pot lid to create the perfect gap for draining water, these small tricks can save time, reduce mess, and make everyday cooking a little easier.
The difference between struggling in the kitchen and working efficiently often comes down to knowing a few clever shortcuts. Simple ideas like these may take only seconds to learn, but they can make cooking cleaner, faster, and far more enjoyable. 🍳✨💡
I had one idea. A little girl. A kite. A windy hill.
I didn't write a script. I didn't plan any shots. I just described what I felt — and Director built the entire world.
The climb. The letting-go. The soaring.
Honestly, once you start chatting with it, you realize you're just vibe directing your way through the whole thing. That's the only way I can describe it.
This is what AI filmmaking actually feels like in 2026.
🎬 Created with @openart_ai i Director
—
Drop a 🪁 if this hit different.
Link to try Director in bio.
#OpenArtDirector #VibeDirecting #AIFilm #StudioGhibli #AnimeAI AIAnimation AIShortFilm GhibliAI IndieAnimation AICreator
Released in 2002, Like a Stone became one of Chris Cornell’s most powerful and enduring songs.
While many listeners interpreted it as a song about death, Cornell explained that it was more about reflection, solitude, and the idea of waiting to reunite with the people we’ve lost. The lyrics explore isolation and mortality with a calm honesty, while his unmistakable voice carries every word with emotion and weight.
TINY BIG WORLD — Prologue
Leo just wanted a quiet lunch in the park. One burger. One sunny morning. Nothing special. But the moment he took his very first bite… the world didn't get bigger.
He did the opposite, he got smaller.
Now every blade of grass is a forest, every footstep is an earthquake, and a single ant becomes a monster.
Welcome to a world that was always this big. Leo just never noticed.
Sometimes one bite is all it takes to see how big everything really is.
Just told OpenArt Director: “Let’s throw a cosmic alien hangover party.” 👽
It turned my vague idea into this full chaotic short film.
This isn’t prompting anymore — it honestly feels like vibe directing. You just chat, react, and shape the story scene by scene until it hits the right vibe.
From a drunk three-eyed alien to suited agents and a wild Shiba Inu… pure madness in one continuous piece.
Powered by OpenArt Director
Drop a comment “vibe directing” ,
I will share my workflow.
* This is an independent concept ad for imaginary job seeking platform- created for demonstration purposes and is not affiliated with or endorsed by any brand.
Some artists spend months writing songs. Others can create unforgettable moments on the spot.
That’s what makes live music so special. There’s no second take, no editing, and no way to predict exactly what’s about to happen. Just raw creativity, instinct, and an audience watching something unique unfold in real time.
The best performances don’t just entertain—they remind you why music feels alive.
DIRECTOR from @openart_ai is intuitive and awesome. You can talk to ORI the assistant to manage every single step on the creative process. If you have all the assets the process is fast, reliable and smooth. Only a few hours in and here is the full product for marketing. It's wild, it's basically the video equivalent of vibe coding. 🤗 😎 🤠 🤩
If you are a pro level of AI creation or a beginner, this is perfect to connect all the dots and get your work done. You're not prompting. You're vibe directing with the agent to engage with every single tool on the platform. Once you start chatting with it, you realize you're just in the vibe zone, directing your way through the whole thing. 🙂 🏆 💜
I keep calling this "vibe directing" because that's what it actually means to me.
Released in 2006 on A Beautiful Lie, The Kill (Bury Me) became one of Thirty Seconds to Mars’ most recognizable songs.
At its core, the track is about self-reflection, identity, and the difficult process of confronting who you really are. Rather than focusing on conflict with someone else, the lyrics turn inward, exploring the fear of change and the struggle of letting go of an old version of yourself. That emotional honesty helped the song connect with millions of listeners and turn it into a defining rock anthem of the 2000s.
🎬 Got a wild idea? Now you can turn it into a 30 sec to 5 min trailer. No prompting skills needed. 🐾
Just dialogue about your idea — OpenArt's Director feature guides you through the rest and builds it out for you. 😐
We tested it with a high speed trailer concept. Mini pink plastic car. 30 seconds as a starter.
One set of instructions. 15 minutes wait — and the consistency held the whole way through. 🎋
Genuinely impressive for something this accessible.
Real potential here. More tests coming soon. 🔥
Well done OpenArt. Incredible feature. @openart_ai
When Harry Styles covered Everybody Wants to Rule the World for BBC Radio 1’s Live Lounge, he didn’t try to recreate the original.
Instead, he stripped the song back and leaned into its emotion, giving the Tears for Fears classic a warmer, more intimate feel. Backed by smooth guitars, rich harmonies, and his signature vocal style, Harry transformed one of the most recognizable songs of the 1980s into something that felt entirely his own.
I had a song. I had a feeling. I had a visual direction.
Instead of building the video shot by shot, I described the mood, reacted to the results, and kept refining the story through conversation.
At some point, I realized I wasn't really prompting anymore—I was vibe directing.
This entire music video was created with OpenArt Director, and what impressed me most was how naturally it adapted the visual style to the music while maintaining consistency throughout the piece.
The gap between imagination and execution keeps getting smaller.
When Lykke Li released I Follow Rivers in 2011, it was already one of the most captivating indie-pop songs of the era.
Then came The Magician Remix. By transforming the track into a warm, euphoric deep house anthem, it found an entirely new audience and became a dancefloor staple across Europe. The combination of Lykke Li’s haunting vocals and the remix’s uplifting groove helped push the song to the top of charts around the world and cemented its place as one of the defining electronic tracks of the early 2010s.
