In the quiet aftermath of an unspoken tragedy, a man must confront his reflection and rehearse the fiction of being whole.
Maybe this is what vibe directing feels like, where I only start with a handful of ideas, but @openart_ai Director is able to take them so much further. And since this 'can' connect to my other work, having that prior context helps this piece serve as a companion that creates more room for open interpretation.
I just wanna say thank you to @openart_ai because I got early access to OpenArt Director.
After spending some time with it, I can honestly say the results have been incredible.
What impressed me the most is how effortless the entire creative process feels. I simply direct the vision, while OpenArt Director handles the execution.
From the final script, character sheets, and storyboards, all the way to the final video generation, everything flows together seamlessly.
Instead of getting stuck writing complicated prompts, I found myself focusing on the story, the characters, and the emotions I wanted to bring to life.
The visuals speak for themselves. Every frame feels cinematic, polished, and genuinely enjoyable to watch.
This feels less like using an AI tool and more like collaborating with a creative production team.
Excited to keep exploring what's possible with OpenArt Director.
Huge thanks to the OpenArt team for this opportunity.
Just a small glimpse into my day. Some moments make it into the video, many stay behind the scenes 🙌🏻
P.S. This was filmed last week, before my haircut ✂️ I still have a few photos and videos with longer hair, so don’t be surprised if they show up from time to time 😂
On The Late Show with Stephen Colbert, Hayley Williams and Jeff Tweedy joined forces for an unexpected cover of Unknown Mortal Orchestra’s Ffunny Ffrends.
Backed by Williams’ band, the performance transformed the 2011 indie track into something uniquely their own, blending Tweedy’s understated style with Hayley’s expressive vocals. Performed as a tribute to the show’s many “funny friends,” the collaboration felt spontaneous, playful, and surprisingly natural.
OpenArt‘s Director🎬
Started with one reference image. Described each shot in plain language. Director generated this 15-second clip scene by scene — no stitching, just chat.
Honestly, this feels like vibe directing to me. You’re not prompting. You‘re describing, reacting, and shaping until it feels right.
Go play with @openart_ai Director and see what you come up with❄️🪄
I tested the new Director feature from @openart_ai to create a movie trailer starting with nothing more than a simple idea.
Instead of generating a single clip from a prompt, Director handles much of the filmmaking process automatically. You provide the concept, and it creates the characters, environment sheets, storyboards, video scenes, audio, and even assembles everything into a complete trailer.
It feels much closer to a real film production workflow, where the focus shifts from prompting individual shots to directing the overall creative vision.
There is still room for greater creative control and refinement, but this is a fascinating glimpse into where AI filmmaking is heading.
Before They Don’t Care About Us became one of Michael Jackson’s most powerful songs, it started with a simple rhythm and an idea.
This rare moment shows Michael developing the song in real time, building the percussion, melody, and energy that would eventually become one of the most politically charged records of his career. It’s a reminder that behind the performances, the videos, and the fame was a musician constantly creating, experimenting, and shaping ideas into global anthems.
Released in 2003 as the final single from Meteora, Numb became one of Linkin Park’s most recognizable and impactful songs.
Built around its iconic piano melody and Chester Bennington’s emotionally charged vocals, the track explores the pressure of trying to meet other people’s expectations while losing sight of your own identity. That honesty helped the song connect with millions of listeners and turn it into one of the defining rock anthems of the 2000s.
Above the noise lies a place they only whisper about. A city that never sleeps. One breath that changes everything. 🌌 Blue Horizon — a short flight into stillness.
I got exclusive early access to OpenArt Director and here's what I made 🎥 #openartdirector
Proof that you can clean an entire house and mentally prepare for company in exactly 45 seconds flat. Don’t look too closely behind the curtains... or our frozen faces. 😅
Who else has completely mastered the "frantic pre-guest scramble"? 👇
During the Funhouse Tour, P!nk transformed Please Don’t Leave Me from a catchy pop hit into one of the most memorable performances of the entire show.
Rather than perform the song straight, she embraced its playful, obsessive lyrics and built a theatrical character around it. Combined with the tour’s circus-inspired staging, choreography, and larger-than-life visuals, the performance felt more like a musical scene than a traditional concert number.
OpenArt Director is a new feature from @openart_ai that will be publicly released on June 23, 2026. It’s designed to help creators build stories, short films, commercials, and AI-powered visual projects with a complete end-to-end workflow.
After trying it myself, I have to admit... this feels pretty amazing.
This is the longest AI-generated short video I’ve ever created, reaching almost 3 minutes in length😭. But what impressed me most wasn’t the duration it was the creative freedom. 🚀
Instead of generating isolated clips, I was able to think more like a director: shaping the story, exploring ideas, building scenes, and letting my imagination flow from beginning to end.
For me, AI is at its best when it doesn’t replace creativity, but expands it.
OpenArt Director feels less like a tool and more like a creative playground where ideas can finally breathe.
The future of storytelling is getting very interesting.
World Cup fever is everywhere — from remote villages to big cities, from adults to kids… and even robots.
This time, a little boy named Dhani plays football juggling with Loko / Spoorbot inside a railway depot in Indonesia. A playful moment where football, imagination, and technology come together in one cinematic scene.
This generative AI video was created using Seedance 2.0 and the Director feature on @openart_ai
If the last hit looks like every other hit, the fight just stops instead of ending. The finisher needs a build — a moment where everything slows, the fighter gathers everything left, and the camera commits to the single decisive strike. Telegraph it, slow it, and let it land with full finality so the audience knows this is the one.
Example: the classic beat — the hero is on the ropes, takes a breath, the music drops out, time stretches, and they wind up the one punch that ends it. Rocky, Warrior, every great sports drama earns the knockout by treating it differently from the hundred hits before it. Make your final blow look and feel unlike anything earlier in the fight.
#wistudiopro #seedance2 #aivideo #dreamina #aigc
To create this episode, I used early access to OpenArt Director provided by the OpenArt team.
I started with the script, and Director helped me turn it into a complete video by building scenes, adapting moments for the screen all through conversation. What I found most interesting is that it didn't feel like traditional prompting. It felt more like vibe directing describing what I wanted, reacting to the results, giving feedback, and gradually shaping each scene until it matched my vision.
Being able to iterate this way made it much easier to create complex scenes while keeping the creative process relaxed and enjoyable. Every generation became part of an ongoing back and forth conversation that helped improve the final result.
Honestly, tools like this make me even more excited about the future of video creation. It's fascinating to see how quickly these creative workflows are evolving.
Two veterans walking to a championship arena. A quiet talk through a yellow field. They never noticed the two beasts already stalking them.
By the time they turned around, the sparring partner had found them.
One minute. Three arcs the walk, the engagement, the comeback.
I didn't write this as prompts. I directed it. Inside @openart_ai Director, I shaped every beat through conversation the slowmo on the counter, the ramp into arc three, the held breath before the finishing blow. The only way I can describe it is vibe directing.
You're not prompting anymore. You're vibe directing.
Powered by @openart_ai
Part of @kreevslab.
#openart #director #openartdirector #film #beastbreakers
A cybersecurity professional can, in some cases, disrupt or take down a consumer drone using a Python script—but not by “hacking the drone directly” in a movie-style way. 🛸💻
Most drones rely on Wi-Fi, radio frequencies, or GPS to communicate with their controllers, which means they can be vulnerable to wireless protocol weaknesses. Security researchers sometimes use tools written in Python (such as Scapy) to interact with network traffic and test these weaknesses in controlled environments.
One common example is a deauthentication attack, where spoofed network packets can force a device to disconnect from its controller. When this happens, the drone may trigger fail-safe behavior like landing or returning home. However, this is strictly a research technique, heavily regulated in many places, and not something used in real-world “take downs” outside of authorized testing environments.
